The Drop Room — Te Whare Takaheke
Where These Worlds Meet — Te Tūhono o ēnei Ao
VIPStyle (ビップ,Bippu) Glossary
Bippu ビップ | Bip-pu
The
Japanese pronunciation of "VIP." This is the root term for
the entire VIP luxury car modification style — large, low-riding
luxury sedans with deep-dish wheels, aggressive stance, and opulent
interiors.
VIPStyle VIPスタイル | VIPSutairu
The
broader movement of modifying large, rear-wheel-drive Japanese luxury
sedans into imposing, low-riding prestige machines. Born in Osaka's
Kansai region in the early 1990s, it has since spread worldwide.
Bosozoku 暴走族 | Bo-so-zo-ku
"Violent
running tribe." Youth gang culture centred on outlandish
motorcycle and car modifications. An umbrella term that loosely
overlaps with VIP culture's street roots, though VIP sits on the more
restrained, luxury end.
Kyusha 旧車 | Kyu-sha
"Old
car." Classic Japanese cars modified in a period-correct racing
or street style. Sometimes blended with VIP aesthetics on retro
platforms, creating a Kyusha-VIP crossover style.
Shakotan シャコタン | Sha-ko-tan
"Short
height car." Cars built to sit as close to the ground as
possible. The Shakotan ethos — that inconvenience is part of the
devotion — runs deep in VIP culture. Achieving an extreme drop is a
point of pride.
Oni-Kyan 鬼キャン | O-niKyan
"Demon
camber." Extreme negative camber angle on the wheels — tops of
the tyres lean dramatically inward. An aesthetic choice that tucks
wide, deep-dish wheels up into the arches. Visually iconic and
immediately recognisable.
Zettai-Chijou 絶対地上 | Zet-taiChi-jou
"Absolute
low." The pursuit of having the car sit at its lowest possible
ride height — often a millimetre or two from the ground when
stationary. Air suspension systems are used to achieve this extreme
drop when parked.
Static スタティック | Su-ta-tik-ku
A VIP
build running fixed suspension with no air or hydraulic adjustment.
The car rides at its set height at all times. Static builds require
extremely careful ride height selection — low enough for show, high
enough to drive.
Hippari 引っ張り | Hip-pa-ri
"Stretch."
Fitting a tyre that is narrower than the rim width, causing the
sidewall to stretch outward at an angle. Combined with negative
camber, this creates the iconic tucked, pulled look central to VIP
wheel fitment.
Tsuraichi/ Tsuura-Ichi 面一 | Tsu-ra-i-chi
"Flush."
When the outer edge of the tyre sits perfectly level with the edge of
the bodywork or fender. Achieving perfect flush fitment — not
tucked in, not poking out — is a central goal of serious VIP
builds.
Kabe-Ichi 壁一 | Ka-beI-chi
"Wall
flush." Describes the rear quarter panel sitting perfectly flush
and aligned with the outer tyre edge. A precise measurement obsession
in the VIP fitment world — the wall of the car meeting the wall of
the tyre.
Nuri-Waake 塗り分け | Nu-riWa-a-ke
"Paint
divide." A two-tone or contrasting colour panel treatment used
on select VIP builds. Often seen on bumpers, roof sections, or
pillars to add visual complexity to what is otherwise a clean,
monochrome exterior.
Hishi-Nui 菱縫い | Hi-shiNu-i
"Diamond
stitch." The signature quilted diamond pattern hand-stitched
into seats, door panels, and headliners. A hallmark of premium VIP
interior craftsmanship — labour-intensive and immediately
recognisable as a mark of quality.
TsukeShigoto 付け仕事 | Tsu-keShi-go-to
"Fitting
work." The meticulous process of integrating custom interior
components — panels, trim pieces, electronics, and upholstery —
seamlessly into the factory cabin. The goal is invisible integration
where custom work appears factory-original.
Platforms
The chassis or Car model to build a VIP car, whilst they do come in certain shapes or similar type of cars, there are certain VIP builds that are considered "platform" cars in the hierarchy of VIP scene. These are Toyota Aristo, Crown, Crown Majesta, Celsior and Century. Nissan President, Cedric, Gloria & Cima. Lexus LS.
He Papakupu Maaori Glossary
TeTaiao — World & Environment
The
Māori worldview places humans within the natural world, not above
it. People, land, sea, and sky share a common ancestry through
Papatūānuku and Ranginui, making care of the earth an expression of
caring for family.
Papatūānuku — EarthMother
The
earth herself — mother of all living things. All life descends from
her body, making the land not a resource to exploit but a relative to
care for.
Ranginui — SkyFather
The
heavens above, in eternal partnership with Papatūānuku. When
separated by their children to allow light into the world, his tears
became rain falling upon the earth.
TeTaiao — Thenatural world
The
living environment in its entirety — land, sea, sky, and all beings
within. Not a collection of resources but a community of relations to
which people belong.
TeAo Mārama — Theworld of light
The
visible, physical realm of the living, which emerged when Tāne
separated sky from earth to let light in. Contrasted with Te Kore
(void) and Te Pō (darkness) in creation traditions.
TeAo Tūroa — Theenduring world
intergenerational vision of sustainability — the world must be
maintained in good health so future generations inherit it whole and
abundant.
Whenua — Land/ placenta
Both
land and placenta share this single word — a deliberate bond
expressing that humans are born of the earth, nourished by it, and
ultimately return to it.
Kaitiakitanga— Guardianship
The
framework of guardianship and reciprocal care that governs the Māori
relationship with the natural world. Kaitiakitanga cannot separate
the material utility of resources from their spiritual value,
identity, and relationships.
Active,
reciprocal care of sky, sea, and land for present and future
generations. Not ‘resource management’ — a kin-relationship
with all that lives, preventive, restorative, and spiritual.
Kaitiaki — Guardian/ protector
A
person, group, or spiritual being entrusted with caring for a
specific resource, place, or community. The role carries both deep
authority and deep responsibility.
Mauri — Lifeforce / vital essence
The
internal energy that animates all things — living and non-living.
Plants, water, soil, and people all possess mauri. To damage or
pollute the environment is to diminish its mauri.
Tapu — Sacred/ restricted
Spiritually
charged and set apart. Applied to people, places, and objects to
acknowledge their significance and govern how others interact with
them.
Mana — Prestige/ spiritual authority
Power
derived from ancestry, achievement, and spiritual force. Held by
people, communities, and natural entities alike — mountains,
rivers, and forests can all hold mana.
Wairua — Spirit/ spiritual essence
The
spiritual dimension woven through all things. For Māori, the
physical and spiritual worlds are fully integrated — wairua is not
separate from matter but present within it.
Mātauranga— Knowledge & Philosophy
The
knowledge systems, values, and philosophical frameworks that guide
Māori ways of thinking, acting, and relating to the world.
Mātauranga is a living system — not a static archive —
continuously refined through practice.
living
system continuously refined through practice, not a static archive to
be preserved.
Tikanga — Correctcustoms / protocols
The
ethics and protocols guiding Māori behaviour, derived from ancestral
wisdom. Principled and context-responsive — not rigid doctrine but
an evolving, living code
Whakapapa — Genealogy/ relational matrix
Far
more than a family tree — a layered web of relationships connecting
all beings, events, places, and the cosmos. A way of thinking,
knowing, and organising the world.
Manaakitanga — Hospitality/ generosity
Caring
for, honouring, and showing generosity to others. Applied equally to
people and to land — how we treat the environment is itself a
reflection of our manaakitanga.
Oranga — Wellbeing/ vitality
The
health and flourishing of people and environment together,
inseparably. Human wellbeing cannot be disentangled from the health
of the natural world around us.
Toi — Art/ creative practice
Art
in its broadest sense — all creative expression. Toi Māori
encompasses carving, weaving, tattooing, and painting, each encoding
knowledge that survives across generations.
Kōwhaiwhai — Paintedscroll / rafter patterns
Curvilinear
painted patterns found on the rafters of meeting houses. Each flowing
motif carries cosmological meaning, with the koru and kape forming
the mathematical foundation.
Kōrero — Story/ oral narrative
Speech,
story, and conversation — the oral tradition through which
cosmology and history are preserved and passed on. All Māori art
forms give visual body to kōrero.
Koru — Spiral/ unfurling fern frond
The
unfurling frond of the ponga (silver fern). The most fundamental
element of Māori visual design — representing new beginnings,
growth, renewal, and the cyclical nature of life.
Pikorua — Thetwist / eternal bond
Inspired
by the pikopiko fern or harakeke weaving — an intertwining form
representing the enduring connection between people whose lives
remain bound across distance and time.
Unaunahi — Fish-scalecarving pattern
Crescent-shaped
incisions representing fish scales. Symbolises health, abundance, and
the deep bond between Māori and the ocean as both sustainer and
spiritual homeland.
Taonga — Treasure/ sacred resource
Any
object, practice, or resource — physical or intangible — of great
cultural and ancestral value. Language, rivers, mountains, and
carvings can all be taonga.